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Loads of action is the hallmark of any Arjun film. Durai is no different from his routine commercial action entertainers, where he takes on baddies, fights corrupt system and romances heroines. Director A Venkatesh seemingly inspired by Hollywood flicks like Bourne Identity and Gladiator, has dished out an action extravaganza with Arjun by his side. …
Sakkarakatti marks the debut of director Kalaprabhu, hero Shanthnoo Bhagyaraj and Ishitha Sharma, one of the heroines. The film, a triangular love story, progresses on a determined track and clear pace from the start; when it reaches the finish line, it leaves a fine impression on the audiences. Yuvaraj (Shanthnoo) is a young college student. …
K.P. Jagannaath’s ‘Raman Thediya Seethai’ lives up to the expectations of a clean family entertainer. A neat screenplay with some slick direction makes this tale come to life. The protagonist is on a quest to find an apt bride but then he is haunted by a rather embarrassing past. The honest man that he is …
Pandhayam is yet another different theme from S.A. Chandrasekar, the filmmaker whose films like Sattam Oru Iruttarai and Naan Sivappu Manidhan have set new trends in the industry. Incidentally, Pandhayam is SAC’s 66th film and as the title indicates, it deals with the challenging contest between a young man and a powerful gangster. Shakthi (Nitin …
Matinee magic? Yes, director Vijay’s Poi Solla Porom, a remake of Jaideep Sahini’s Khosala Ka Ghosala, is a fun film which will work with the multiplex audience. The story is about middle class people and their craving for a home, which leads them to unscrupulous real estate agents who con them of their savings. Sathyanathan …
Fun, frolic and mayhem were in abundance in Venkat Prabhu’s first directorial venture ‘Chennai 600028’. With his second film ‘Saroja’ the director dutifully follows the same pattern despite having the backdrop of a thriller featuring a kidnap, gun totting desperados and characters with malicious intent. Even with a no-way-out situation that four friends get themselves …
It looks like Jeeva’s assistant Manikandan along with Harris Jayaraj has made Dhaam Dhoom as a sort of musical tribute to the late filmmaker. The film lacks a solid story, rambles all over between Russia and Tamilnadu, is disjointed, and has continuity problems with a very predictable lackluster ending. The highlight of the movie is …
R.Kannan, an understudy of Maniratnam makes his debut into direction with ‘Jayam Kondaan.’ Arjun (Vinay), a young man working in London returns to Chennai, following his father’s demise. With the Rs.60 lakhs saved in his father’s account, he hopes to set up a business along with his friends. However, he is shocked when at the …
Donning the role of an honest cop is indeed a dream of most of the actors in Kollywood. Vishal has fulfilled it in ‘Sathyam’, a usual cat and rat story, however with interesting twists and turns from beginning to end. Director Rajasekar, who has come out with a tight subject in the first film itself …
There is an old saying in tinsel town: Never try to remake a classic. Rajinikanth’s Kuselan is a mixed bag, but director P Vasu has been able to evoke the essence of the original Katha Parayumbol from Malayalam to a certain extent. The film tries desperately to glorify Rajinikanth’s larger than life superstardom and create …
